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Miller's Theatre and Miller's Ideas Miller uses the techniques of the modern theatre to the full. He is not satisfied with simply employing the devices of lights and sound as an addition to the acting,but indicates in the stage directions of his plays precisely when a particular form of lighting or piece of sound is to be used. This is a deliberate attempt to make the theatre as a whole , not merely the actors , express the messages of the play . Mechanical devices assume , then , a symbolic significance-they represent an essential meaning or idea in the play in physical terms . They express a meaning - hence the term "expressionist" is often used to describe Miller as a dramatist. Miller was writing for a middle-class audience. His plays were performed on Broadway, the center of New York's theatrical and cultural life, and in Landon's West End. Therefore they reached only a small proportion of the population . Miller uses this fact ( that the plays reached a relatively small proportion of the population) to advantage in Death of a Salesman, where he examines American middle-class ideas and beliefs. He was able to place before his audience Willy Loman, a man who shared many of their ideals, ones which have been summed up by the phrase "the American Dream". The American Dream is a combination of beliefs in the unity of the family, the healthiness of competition in society, the need for success and money, and the view that America is the great land in which free opportunity for all exists.Some of these are connected: America seemed at one stage in history to offer alternatives to the European way of life; she seemed to be the New World,vast , having plenty of land and riches for all of its people , all of whom could share in the wealth of the nation. America was a land of opportunity. This belief is still apparent, even in twentieth-century America, with its large urban population, and Miller uses it in his plays, in order to state something significant about American society. In such a land, where all people have a great deal of opportunity, success should come fairly easily, so an unsuccessful man could feel bitter about his failure, excluded as he was from the success around him. To become successful in the American Dream means to believe in competition,to reach the top as quickly as possible by proving oneself better than others. Success is judged by the amount of wealth which can be acquired by an individual. Success is external and visible, shown in material wealth and encouraged . Money and success mean stability ; and stability can be seen in the family unit. The family is a guideline to success. It also provides emotional stability , and a good family shares its hopes and beliefs . These ideas should always be kept in mind when Death of a Salesman is considered. Another point to consider is Miller's conception of what the theatre should do . He is both a social dramatist . As a psychological dramatist he studies character, the motives and reasons behind the behavior of individuals , and presents them to his audiences so that his individual characters become convincingly alive,Often, these people are ordinary, everyday types,but ones whose actions are made significant by the dramatist.For example, the lives of ordinary citizens going about their daily business in their homes may not obviously appear interesting, but the dramatist can indicate that their daily lives are important, that they are interesting or unusual as people and that the audience may see their own situations and psychological states reflected in the characters the dramatist has created. Death of a Salesman is a good example of this. Of course, all dramatists and novelists try to make the actions of their characters relevant to other people, and most analyze closely the minds of the characters they have created in order to establish what makes them function as individuals. Where Miller differs from many of the others is in the type of person that he has created. Most of his heroes are ordinary people: they do not seem to be different from anyone who can be met in any street; and this, it might be argued, adds force to his plays,since none of the characters are remote-we share their feelings, and understand their difficulties. Also, Miller is able to show that everyday people can rise above the ordinary when challenged. Miller is a social dramatist in the sense that Death of a Salesman comments on the nature of society. Miller is concerned about society and the values which it holds. This means that Miller has often been regarded as an ally of the American Left, wishing to challenge the values of society, showing those values as worthless, and suggesting that a change may be necessary. Drama can expose the ills of society, make people aware there is something wrong with the system. Linked with Miller's attitude to society is his treatment of the middle class in the play. He was writing for the middle class as well as about them. And, at the time he was writing Death of a Salesman the ideals and way of life of the middle class in America were declining. People were not as stable financially because of the depression and then the 1939-45War, and so their way of life seemed to be challenged. Decide whether the following statements are true(T) or false(F)according to the information given in the text. ( )3.A good family is one where one can find the ease of mind.
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Miller's Theatre and Miller's Ideas Miller uses the techniques of the modern theatre to the full. He is not satisfied with simply employing the devices of lights and sound as an addition to the acting,but indicates in the stage directions of his plays precisely when a particular form of lighting or piece of sound is to be used. This is a deliberate attempt to make the theatre as a whole , not merely the actors , express the messages of the play . Mechanical devices assume , then , a symbolic significance-they represent an essential meaning or idea in the play in physical terms . They express a meaning - hence the term "expressionist" is often used to describe Miller as a dramatist. Miller was writing for a middle-class audience. His plays were performed on Broadway, the center of New York's theatrical and cultural life, and in Landon's West End. Therefore they reached only a small proportion of the population . Miller uses this fact ( that the plays reached a relatively small proportion of the population) to advantage in Death of a Salesman, where he examines American middle-class ideas and beliefs. He was able to place before his audience Willy Loman, a man who shared many of their ideals, ones which have been summed up by the phrase "the American Dream". The American Dream is a combination of beliefs in the unity of the family, the healthiness of competition in society, the need for success and money, and the view that America is the great land in which free opportunity for all exists.Some of these are connected: America seemed at one stage in history to offer alternatives to the European way of life; she seemed to be the New World,vast , having plenty of land and riches for all of its people , all of whom could share in the wealth of the nation. America was a land of opportunity. This belief is still apparent, even in twentieth-century America, with its large urban population, and Miller uses it in his plays, in order to state something significant about American society. In such a land, where all people have a great deal of opportunity, success should come fairly easily, so an unsuccessful man could feel bitter about his failure, excluded as he was from the success around him. To become successful in the American Dream means to believe in competition,to reach the top as quickly as possible by proving oneself better than others. Success is judged by the amount of wealth which can be acquired by an individual. Success is external and visible, shown in material wealth and encouraged . Money and success mean stability ; and stability can be seen in the family unit. The family is a guideline to success. It also provides emotional stability , and a good family shares its hopes and beliefs . These ideas should always be kept in mind when Death of a Salesman is considered. Another point to consider is Miller's conception of what the theatre should do . He is both a social dramatist . As a psychological dramatist he studies character, the motives and reasons behind the behavior of individuals , and presents them to his audiences so that his individual characters become convincingly alive,Often, these people are ordinary, everyday types,but ones whose actions are made significant by the dramatist.For example, the lives of ordinary citizens going about their daily business in their homes may not obviously appear interesting, but the dramatist can indicate that their daily lives are important, that they are interesting or unusual as people and that the audience may see their own situations and psychological states reflected in the characters the dramatist has created. Death of a Salesman is a good example of this. Of course, all dramatists and novelists try to make the actions of their characters relevant to other people, and most analyze closely the minds of the characters they have created in order to establish what makes them function as individuals. Where Miller differs from many of the others is in the type of person that he has created. Most of his heroes are ordinary people: they do not seem to be different from anyone who can be met in any street; and this, it might be argued, adds force to his plays,since none of the characters are remote-we share their feelings, and understand their difficulties. Also, Miller is able to show that everyday people can rise above the ordinary when challenged. Miller is a social dramatist in the sense that Death of a Salesman comments on the nature of society. Miller is concerned about society and the values which it holds. This means that Miller has often been regarded as an ally of the American Left, wishing to challenge the values of society, showing those values as worthless, and suggesting that a change may be necessary. Drama can expose the ills of society, make people aware there is something wrong with the system. Linked with Miller's attitude to society is his treatment of the middle class in the play. He was writing for the middle class as well as about them. And, at the time he was writing Death of a Salesman the ideals and way of life of the middle class in America were declining. People were not as stable financially because of the depression and then the 1939-45War, and so their way of life seemed to be challenged. Decide whether the following statements are true(T) or false(F)according to the information given in the text. ( ) 4. Miller is a psychological dramatist in the sense that he can probe into the behavior of his characters.
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Miller's Theatre and Miller's Ideas Miller uses the techniques of the modern theatre to the full. He is not satisfied with simply employing the devices of lights and sound as an addition to the acting,but indicates in the stage directions of his plays precisely when a particular form of lighting or piece of sound is to be used. This is a deliberate attempt to make the theatre as a whole , not merely the actors , express the messages of the play . Mechanical devices assume , then , a symbolic significance-they represent an essential meaning or idea in the play in physical terms . They express a meaning - hence the term "expressionist" is often used to describe Miller as a dramatist. Miller was writing for a middle-class audience. His plays were performed on Broadway, the center of New York's theatrical and cultural life, and in Landon's West End. Therefore they reached only a small proportion of the population . Miller uses this fact ( that the plays reached a relatively small proportion of the population) to advantage in Death of a Salesman, where he examines American middle-class ideas and beliefs. He was able to place before his audience Willy Loman, a man who shared many of their ideals, ones which have been summed up by the phrase "the American Dream". The American Dream is a combination of beliefs in the unity of the family, the healthiness of competition in society, the need for success and money, and the view that America is the great land in which free opportunity for all exists.Some of these are connected: America seemed at one stage in history to offer alternatives to the European way of life; she seemed to be the New World,vast , having plenty of land and riches for all of its people , all of whom could share in the wealth of the nation. America was a land of opportunity. This belief is still apparent, even in twentieth-century America, with its large urban population, and Miller uses it in his plays, in order to state something significant about American society. In such a land, where all people have a great deal of opportunity, success should come fairly easily, so an unsuccessful man could feel bitter about his failure, excluded as he was from the success around him. To become successful in the American Dream means to believe in competition,to reach the top as quickly as possible by proving oneself better than others. Success is judged by the amount of wealth which can be acquired by an individual. Success is external and visible, shown in material wealth and encouraged . Money and success mean stability ; and stability can be seen in the family unit. The family is a guideline to success. It also provides emotional stability , and a good family shares its hopes and beliefs . These ideas should always be kept in mind when Death of a Salesman is considered. Another point to consider is Miller's conception of what the theatre should do . He is both a social dramatist . As a psychological dramatist he studies character, the motives and reasons behind the behavior of individuals , and presents them to his audiences so that his individual characters become convincingly alive,Often, these people are ordinary, everyday types,but ones whose actions are made significant by the dramatist.For example, the lives of ordinary citizens going about their daily business in their homes may not obviously appear interesting, but the dramatist can indicate that their daily lives are important, that they are interesting or unusual as people and that the audience may see their own situations and psychological states reflected in the characters the dramatist has created. Death of a Salesman is a good example of this. Of course, all dramatists and novelists try to make the actions of their characters relevant to other people, and most analyze closely the minds of the characters they have created in order to establish what makes them function as individuals. Where Miller differs from many of the others is in the type of person that he has created. Most of his heroes are ordinary people: they do not seem to be different from anyone who can be met in any street; and this, it might be argued, adds force to his plays,since none of the characters are remote-we share their feelings, and understand their difficulties. Also, Miller is able to show that everyday people can rise above the ordinary when challenged. Miller is a social dramatist in the sense that Death of a Salesman comments on the nature of society. Miller is concerned about society and the values which it holds. This means that Miller has often been regarded as an ally of the American Left, wishing to challenge the values of society, showing those values as worthless, and suggesting that a change may be necessary. Drama can expose the ills of society, make people aware there is something wrong with the system. Linked with Miller's attitude to society is his treatment of the middle class in the play. He was writing for the middle class as well as about them. And, at the time he was writing Death of a Salesman the ideals and way of life of the middle class in America were declining. People were not as stable financially because of the depression and then the 1939-45War, and so their way of life seemed to be challenged. Decide whether the following statements are true(T) or false(F)according to the information given in the text. ( ) 5 . The middle class is not only the theme of Miller's plays but also the object of his effort.
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For three days Mr.Bunter, half-conscious did not say a word. He looked at people sensibly enough but seemed unable to hear any questions put to him. The second officer remarked to the captain, in connection with the affair:"Those brass plates on the steps of the bridge-ladder are beastly dangerous things.""Are they?”replied Captain Johns, sourly. "It takes more than a brass plate to account for an able-bodied man crashing down in that fashion. And the weather fine, everything dry, and the ship going along as steady as a church!"On the fourth day the chief officer looked decidedly better. He could hear and understand and could even speak in a feeble voice.“Well, Mr. Bunter,"said Captain Johns, going in to see him,"Can you give us your account of this accident?"Bunter moved his bandaged head slightly and fixed his cold blue stare on the captain s puzzled face. "No accident, nhe breathed.“Well, what made you have that fall, then?”Bunter raised himself a little, looked straight into the captain s eyes and said in a distinct whisper/*you were right!""Bless my soul! "exclaimed Captain Johns. "Do you mean you had a supernatural experience that night? You saw a ghost on my ship?"Unwillingness, shame, disgust, would have been visible on poor Bunter's face if a good part of it had not been wrapped in bandages. He made a great effort and answered,“Yes, I have seen."“And did it—did it knock you down the bridge-ladder?”"Come! Am I the sort of man to be knocked down by a ghost?"Captain Johns pointed a finger at Bunter, "You've been terrified/'he said. “That's what's the matter. Even the man at the wheel was scared, though he couldn't see anything. He felt the supernatural. You've been punished because you wouldn't believe,Mr. Bunter. ”"Suppose I have, "said Bunter. "You don't know what I saw. And I cant tell you what it was like. Every man has his own ghosts. I stepped back. I don't remember anything else."“The man at the wheel said you went backwards as if something had hit you.”“It was sort of inward blow,M Bunter explained. "Aren't you satisfied now that I believe?"What had happened to Mr. Bunter?
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For three days Mr.Bunter, half-conscious did not say a word. He looked at people sensibly enough but seemed unable to hear any questions put to him. The second officer remarked to the captain, in connection with the affair:"Those brass plates on the steps of the bridge-ladder are beastly dangerous things.""Are they?”replied Captain Johns, sourly. "It takes more than a brass plate to account for an able-bodied man crashing down in that fashion. And the weather fine, everything dry, and the ship going along as steady as a church!"On the fourth day the chief officer looked decidedly better. He could hear and understand and could even speak in a feeble voice.“Well, Mr. Bunter,"said Captain Johns, going in to see him,"Can you give us your account of this accident?"Bunter moved his bandaged head slightly and fixed his cold blue stare on the captain s puzzled face. "No accident, nhe breathed.“Well, what made you have that fall, then?”Bunter raised himself a little, looked straight into the captain s eyes and said in a distinct whisper/*you were right!""Bless my soul! "exclaimed Captain Johns. "Do you mean you had a supernatural experience that night? You saw a ghost on my ship?"Unwillingness, shame, disgust, would have been visible on poor Bunter's face if a good part of it had not been wrapped in bandages. He made a great effort and answered,“Yes, I have seen."“And did it—did it knock you down the bridge-ladder?”"Come! Am I the sort of man to be knocked down by a ghost?"Captain Johns pointed a finger at Bunter, "You've been terrified/'he said. “That's what's the matter. Even the man at the wheel was scared, though he couldn't see anything. He felt the supernatural. You've been punished because you wouldn't believe,Mr. Bunter. ”"Suppose I have, "said Bunter. "You don't know what I saw. And I cant tell you what it was like. Every man has his own ghosts. I stepped back. I don't remember anything else."“The man at the wheel said you went backwards as if something had hit you.”“It was sort of inward blow,M Bunter explained. "Aren't you satisfied now that I believe?"The obtain wished to believe that Bunter had fallen_____.
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For three days Mr.Bunter, half-conscious did not say a word. He looked at people sensibly enough but seemed unable to hear any questions put to him. The second officer remarked to the captain, in connection with the affair:"Those brass plates on the steps of the bridge-ladder are beastly dangerous things.""Are they?”replied Captain Johns, sourly. "It takes more than a brass plate to account for an able-bodied man crashing down in that fashion. And the weather fine, everything dry, and the ship going along as steady as a church!"On the fourth day the chief officer looked decidedly better. He could hear and understand and could even speak in a feeble voice.“Well, Mr. Bunter,"said Captain Johns, going in to see him,"Can you give us your account of this accident?"Bunter moved his bandaged head slightly and fixed his cold blue stare on the captain s puzzled face. "No accident, nhe breathed.“Well, what made you have that fall, then?”Bunter raised himself a little, looked straight into the captain s eyes and said in a distinct whisper/*you were right!""Bless my soul! "exclaimed Captain Johns. "Do you mean you had a supernatural experience that night? You saw a ghost on my ship?"Unwillingness, shame, disgust, would have been visible on poor Bunter's face if a good part of it had not been wrapped in bandages. He made a great effort and answered,“Yes, I have seen."“And did it—did it knock you down the bridge-ladder?”"Come! Am I the sort of man to be knocked down by a ghost?"Captain Johns pointed a finger at Bunter, "You've been terrified/'he said. “That's what's the matter. Even the man at the wheel was scared, though he couldn't see anything. He felt the supernatural. You've been punished because you wouldn't believe,Mr. Bunter. ”"Suppose I have, "said Bunter. "You don't know what I saw. And I cant tell you what it was like. Every man has his own ghosts. I stepped back. I don't remember anything else."“The man at the wheel said you went backwards as if something had hit you.”“It was sort of inward blow,M Bunter explained. "Aren't you satisfied now that I believe?"“You were right! Msaid Bunter. He was referring to_______
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For three days Mr.Bunter, half-conscious did not say a word. He looked at people sensibly enough but seemed unable to hear any questions put to him. The second officer remarked to the captain, in connection with the affair:"Those brass plates on the steps of the bridge-ladder are beastly dangerous things.""Are they?”replied Captain Johns, sourly. "It takes more than a brass plate to account for an able-bodied man crashing down in that fashion. And the weather fine, everything dry, and the ship going along as steady as a church!"On the fourth day the chief officer looked decidedly better. He could hear and understand and could even speak in a feeble voice.“Well, Mr. Bunter,"said Captain Johns, going in to see him,"Can you give us your account of this accident?"Bunter moved his bandaged head slightly and fixed his cold blue stare on the captain s puzzled face. "No accident, nhe breathed.“Well, what made you have that fall, then?”Bunter raised himself a little, looked straight into the captain s eyes and said in a distinct whisper/*you were right!""Bless my soul! "exclaimed Captain Johns. "Do you mean you had a supernatural experience that night? You saw a ghost on my ship?"Unwillingness, shame, disgust, would have been visible on poor Bunter's face if a good part of it had not been wrapped in bandages. He made a great effort and answered,“Yes, I have seen."“And did it—did it knock you down the bridge-ladder?”"Come! Am I the sort of man to be knocked down by a ghost?"Captain Johns pointed a finger at Bunter, "You've been terrified/'he said. “That's what's the matter. Even the man at the wheel was scared, though he couldn't see anything. He felt the supernatural. You've been punished because you wouldn't believe,Mr. Bunter. ”"Suppose I have, "said Bunter. "You don't know what I saw. And I cant tell you what it was like. Every man has his own ghosts. I stepped back. I don't remember anything else."“The man at the wheel said you went backwards as if something had hit you.”“It was sort of inward blow,M Bunter explained. "Aren't you satisfied now that I believe?"Unwillingness, shame, disgust, what gave these feelings to Bunter?
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For three days Mr.Bunter, half-conscious did not say a word. He looked at people sensibly enough but seemed unable to hear any questions put to him. The second officer remarked to the captain, in connection with the affair:"Those brass plates on the steps of the bridge-ladder are beastly dangerous things.""Are they?”replied Captain Johns, sourly. "It takes more than a brass plate to account for an able-bodied man crashing down in that fashion. And the weather fine, everything dry, and the ship going along as steady as a church!"On the fourth day the chief officer looked decidedly better. He could hear and understand and could even speak in a feeble voice.“Well, Mr. Bunter,"said Captain Johns, going in to see him,"Can you give us your account of this accident?"Bunter moved his bandaged head slightly and fixed his cold blue stare on the captain s puzzled face. "No accident, nhe breathed.“Well, what made you have that fall, then?”Bunter raised himself a little, looked straight into the captain s eyes and said in a distinct whisper/*you were right!""Bless my soul! "exclaimed Captain Johns. "Do you mean you had a supernatural experience that night? You saw a ghost on my ship?"Unwillingness, shame, disgust, would have been visible on poor Bunter's face if a good part of it had not been wrapped in bandages. He made a great effort and answered,“Yes, I have seen."“And did it—did it knock you down the bridge-ladder?”"Come! Am I the sort of man to be knocked down by a ghost?"Captain Johns pointed a finger at Bunter, "You've been terrified/'he said. “That's what's the matter. Even the man at the wheel was scared, though he couldn't see anything. He felt the supernatural. You've been punished because you wouldn't believe,Mr. Bunter. ”"Suppose I have, "said Bunter. "You don't know what I saw. And I cant tell you what it was like. Every man has his own ghosts. I stepped back. I don't remember anything else."“The man at the wheel said you went backwards as if something had hit you.”“It was sort of inward blow,M Bunter explained. "Aren't you satisfied now that I believe?"Bunter half agreed that he had been punished because _____.
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English is a vacuum cleaner language; it is able and willing to adopt any words it finds useful.Places,peoples, tongues from around lhe world all have become part of the English vocabulary. They give it flexibility and provide a certain sense of familiarity for people who speak it as a second or foreign language.According to the Oxford English Dictionary , English contains words from more than 350 living languages.“English is a free market,” says Allan Metacalf, author of 1 he World in So Many Words. "Guardians of other languages tend to become alarmed when they notice foreign words creeping in. They say, * I hat's a terrible thing; keep them out. Bui English is multicultural."Linguistic historians believe that English began to absorb other languages on a large scale in 1066. That was the year when King William. a Norman from what is now France, conquered England. That meant English speakers were ruled by French speakers. The English language had to make some changes.During the Renaissance, words flowed into English from Latin and Greek. The Age of Exploration introduced new terms from all corners of the world.And America changed everything. America began as an English-speaking land but its language has been and is still shaped by generations of immigrants. Each new group brings new ideas and new expressions. Irish, Italians* Germans, Eastern Europeans. Latinos, Africans^ Asians—all change English in some degree.Mass culture makes adoptions easier. Todaytwords like kungfu and chow are no longer odd Chinese words; they have gone mainstream.Then there are words invented or given new meanings when English needs them. Some words like e-mail .blurb and fax enter the mainstream. Others like laser begin life as acro- nyms(首字母缩略)for things that otherwise would be too difficult to say in everyday conversation.Of course,language cannot be separated from culture* and importation depends on the situation. It also depends on whether the word remains useful.Linguists predict that foreign words will flow into English even faster as more nonnative speakers reach global leadership positions. The pace will increase, but it still will be English,which always is ready to accept new words. This is because English is a practical language with a long tradition of borrowing.The best title for the passage would be
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English is a vacuum cleaner language; it is able and willing to adopt any words it finds useful.Places,peoples, tongues from around lhe world all have become part of the English vocabulary. They give it flexibility and provide a certain sense of familiarity for people who speak it as a second or foreign language.According to the Oxford English Dictionary , English contains words from more than 350 living languages.“English is a free market,” says Allan Metacalf, author of 1 he World in So Many Words. "Guardians of other languages tend to become alarmed when they notice foreign words creeping in. They say, * I hat's a terrible thing; keep them out. Bui English is multicultural."Linguistic historians believe that English began to absorb other languages on a large scale in 1066. That was the year when King William. a Norman from what is now France, conquered England. That meant English speakers were ruled by French speakers. The English language had to make some changes.During the Renaissance, words flowed into English from Latin and Greek. The Age of Exploration introduced new terms from all corners of the world.And America changed everything. America began as an English-speaking land but its language has been and is still shaped by generations of immigrants. Each new group brings new ideas and new expressions. Irish, Italians* Germans, Eastern Europeans. Latinos, Africans^ Asians—all change English in some degree.Mass culture makes adoptions easier. Todaytwords like kungfu and chow are no longer odd Chinese words; they have gone mainstream.Then there are words invented or given new meanings when English needs them. Some words like e-mail .blurb and fax enter the mainstream. Others like laser begin life as acro- nyms(首字母缩略)for things that otherwise would be too difficult to say in everyday conversation.Of course,language cannot be separated from culture* and importation depends on the situation. It also depends on whether the word remains useful.Linguists predict that foreign words will flow into English even faster as more nonnative speakers reach global leadership positions. The pace will increase, but it still will be English,which always is ready to accept new words. This is because English is a practical language with a long tradition of borrowing.King William was______.