请用括号单词的恰当形式填空(hunger)Joanne is so______for success that she'll do anything to achieve it.

Passage 4 Questions 16 to 20 are based on the following passage My friend's ten-year-old daughter Julia has a new hobby. Like many of her school pals.she hopes to become a video blogger-a "vlogger". She's started to record clips of herself for others to watch and "like". She showed me a few, and then gave me a list of famous vloggers to watch. Their names sounded so bizarre. But they are totally familiar to teenage girls. Like an earnest marketing executive, Julia explained to me that it was all a matter of numbers. If her videos are viewed 40,000 times on YouTube, she can have advertisements placed on them; 100,000, and companies would start sending her products to promote. One million and she'd be YouTube star. This seemed a peculiar phenomenon but Julia is not alone. In fact, her dream is perfectly normal for her generation: one in three children between the ages of 11 and 16 have uploaded a video to YouTube. Who can blame them? Vlogging can now be a well-paid career. Unlike the more traditional dream jobs-pop star doctor, footballer, scientist-it doesn't take much effort. All it requires is smartphone and gallons of youthful selfconfidence. There're plenty of people with that. The 27-year-old British vlogger Zoella has made millions from her channel. Ryan, the six-year-old American host of the YouTube channel RyanToysReview, made £8.5 million last year from reviewing toys and sweets. Popular genres on YouTube are the "haul video" -where vlogger reviews recently received items-and the"unboxing video”, in which products are opened and then discussed The message is: "I've got this, and you haven't." And then comes, "here's where to buy it”. What the vloggers seem to have worked out is that the internet is a giant sales opportunity. Not every girl can be Zoella, so the real winners are the tech companies, who are constantly improving their systems to extract the maximum revenue from their audiences. They are keen to show their desire to help protect children from the darker areas of the internet.”YouTube Kids” is an app(应用软件) which is meant to filter out inappropriate videos, but that is easier said than done. Algorithms(计算程序) haven't yet developed the moral sense to know what is good for children. My friend said she was concerned about her daughter's vlogging but that it was difficult to intervene, for most girls in her class were obsessed with it. The girls all hope they might earn millions, travel the world and become famous. What does paragraph 1 mainly say about Julia?

Passage 4 Questions 16 to 20 are based on the following passage My friend's ten-year-old daughter Julia has a new hobby. Like many of her school pals.she hopes to become a video blogger-a "vlogger". She's started to record clips of herself for others to watch and "like". She showed me a few, and then gave me a list of famous vloggers to watch. Their names sounded so bizarre. But they are totally familiar to teenage girls. Like an earnest marketing executive, Julia explained to me that it was all a matter of numbers. If her videos are viewed 40,000 times on YouTube, she can have advertisements placed on them; 100,000, and companies would start sending her products to promote. One million and she'd be YouTube star. This seemed a peculiar phenomenon but Julia is not alone. In fact, her dream is perfectly normal for her generation: one in three children between the ages of 11 and 16 have uploaded a video to YouTube. Who can blame them? Vlogging can now be a well-paid career. Unlike the more traditional dream jobs-pop star doctor, footballer, scientist-it doesn't take much effort. All it requires is smartphone and gallons of youthful selfconfidence. There're plenty of people with that. The 27-year-old British vlogger Zoella has made millions from her channel. Ryan, the six-year-old American host of the YouTube channel RyanToysReview, made £8.5 million last year from reviewing toys and sweets. Popular genres on YouTube are the "haul video" -where vlogger reviews recently received items-and the"unboxing video”, in which products are opened and then discussed The message is: "I've got this, and you haven't." And then comes, "here's where to buy it”. What the vloggers seem to have worked out is that the internet is a giant sales opportunity. Not every girl can be Zoella, so the real winners are the tech companies, who are constantly improving their systems to extract the maximum revenue from their audiences. They are keen to show their desire to help protect children from the darker areas of the internet.”YouTube Kids” is an app(应用软件) which is meant to filter out inappropriate videos, but that is easier said than done. Algorithms(计算程序) haven't yet developed the moral sense to know what is good for children. My friend said she was concerned about her daughter's vlogging but that it was difficult to intervene, for most girls in her class were obsessed with it. The girls all hope they might earn millions, travel the world and become famous. Julia believes that her videos on YouTube can make her very____

Passage 4 Questions 16 to 20 are based on the following passage My friend's ten-year-old daughter Julia has a new hobby. Like many of her school pals.she hopes to become a video blogger-a "vlogger". She's started to record clips of herself for others to watch and "like". She showed me a few, and then gave me a list of famous vloggers to watch. Their names sounded so bizarre. But they are totally familiar to teenage girls. Like an earnest marketing executive, Julia explained to me that it was all a matter of numbers. If her videos are viewed 40,000 times on YouTube, she can have advertisements placed on them; 100,000, and companies would start sending her products to promote. One million and she'd be YouTube star. This seemed a peculiar phenomenon but Julia is not alone. In fact, her dream is perfectly normal for her generation: one in three children between the ages of 11 and 16 have uploaded a video to YouTube. Who can blame them? Vlogging can now be a well-paid career. Unlike the more traditional dream jobs-pop star doctor, footballer, scientist-it doesn't take much effort. All it requires is smartphone and gallons of youthful selfconfidence. There're plenty of people with that. The 27-year-old British vlogger Zoella has made millions from her channel. Ryan, the six-year-old American host of the YouTube channel RyanToysReview, made £8.5 million last year from reviewing toys and sweets. Popular genres on YouTube are the "haul video" -where vlogger reviews recently received items-and the"unboxing video”, in which products are opened and then discussed The message is: "I've got this, and you haven't." And then comes, "here's where to buy it”. What the vloggers seem to have worked out is that the internet is a giant sales opportunity. Not every girl can be Zoella, so the real winners are the tech companies, who are constantly improving their systems to extract the maximum revenue from their audiences. They are keen to show their desire to help protect children from the darker areas of the internet.”YouTube Kids” is an app(应用软件) which is meant to filter out inappropriate videos, but that is easier said than done. Algorithms(计算程序) haven't yet developed the moral sense to know what is good for children. My friend said she was concerned about her daughter's vlogging but that it was difficult to intervene, for most girls in her class were obsessed with it. The girls all hope they might earn millions, travel the world and become famous. How does the author feel about Julia's dream?

Passage 4 Questions 16 to 20 are based on the following passage My friend's ten-year-old daughter Julia has a new hobby. Like many of her school pals.she hopes to become a video blogger-a "vlogger". She's started to record clips of herself for others to watch and "like". She showed me a few, and then gave me a list of famous vloggers to watch. Their names sounded so bizarre. But they are totally familiar to teenage girls. Like an earnest marketing executive, Julia explained to me that it was all a matter of numbers. If her videos are viewed 40,000 times on YouTube, she can have advertisements placed on them; 100,000, and companies would start sending her products to promote. One million and she'd be YouTube star. This seemed a peculiar phenomenon but Julia is not alone. In fact, her dream is perfectly normal for her generation: one in three children between the ages of 11 and 16 have uploaded a video to YouTube. Who can blame them? Vlogging can now be a well-paid career. Unlike the more traditional dream jobs-pop star doctor, footballer, scientist-it doesn't take much effort. All it requires is smartphone and gallons of youthful selfconfidence. There're plenty of people with that. The 27-year-old British vlogger Zoella has made millions from her channel. Ryan, the six-year-old American host of the YouTube channel RyanToysReview, made £8.5 million last year from reviewing toys and sweets. Popular genres on YouTube are the "haul video" -where vlogger reviews recently received items-and the"unboxing video”, in which products are opened and then discussed The message is: "I've got this, and you haven't." And then comes, "here's where to buy it”. What the vloggers seem to have worked out is that the internet is a giant sales opportunity. Not every girl can be Zoella, so the real winners are the tech companies, who are constantly improving their systems to extract the maximum revenue from their audiences. They are keen to show their desire to help protect children from the darker areas of the internet.”YouTube Kids” is an app(应用软件) which is meant to filter out inappropriate videos, but that is easier said than done. Algorithms(计算程序) haven't yet developed the moral sense to know what is good for children. My friend said she was concerned about her daughter's vlogging but that it was difficult to intervene, for most girls in her class were obsessed with it. The girls all hope they might earn millions, travel the world and become famous. What does the girl in the "haul video" do?

Passage 4 Questions 16 to 20 are based on the following passage My friend's ten-year-old daughter Julia has a new hobby. Like many of her school pals.she hopes to become a video blogger-a "vlogger". She's started to record clips of herself for others to watch and "like". She showed me a few, and then gave me a list of famous vloggers to watch. Their names sounded so bizarre. But they are totally familiar to teenage girls. Like an earnest marketing executive, Julia explained to me that it was all a matter of numbers. If her videos are viewed 40,000 times on YouTube, she can have advertisements placed on them; 100,000, and companies would start sending her products to promote. One million and she'd be YouTube star. This seemed a peculiar phenomenon but Julia is not alone. In fact, her dream is perfectly normal for her generation: one in three children between the ages of 11 and 16 have uploaded a video to YouTube. Who can blame them? Vlogging can now be a well-paid career. Unlike the more traditional dream jobs-pop star doctor, footballer, scientist-it doesn't take much effort. All it requires is smartphone and gallons of youthful selfconfidence. There're plenty of people with that. The 27-year-old British vlogger Zoella has made millions from her channel. Ryan, the six-year-old American host of the YouTube channel RyanToysReview, made £8.5 million last year from reviewing toys and sweets. Popular genres on YouTube are the "haul video" -where vlogger reviews recently received items-and the"unboxing video”, in which products are opened and then discussed The message is: "I've got this, and you haven't." And then comes, "here's where to buy it”. What the vloggers seem to have worked out is that the internet is a giant sales opportunity. Not every girl can be Zoella, so the real winners are the tech companies, who are constantly improving their systems to extract the maximum revenue from their audiences. They are keen to show their desire to help protect children from the darker areas of the internet.”YouTube Kids” is an app(应用软件) which is meant to filter out inappropriate videos, but that is easier said than done. Algorithms(计算程序) haven't yet developed the moral sense to know what is good for children. My friend said she was concerned about her daughter's vlogging but that it was difficult to intervene, for most girls in her class were obsessed with it. The girls all hope they might earn millions, travel the world and become famous. What does the author say about"You Tube kids"?

Passage 1 Questions 1 to 5 are based on the following passage. Much of the fiction written by American women in the twenty-first century can be termed "popular,"owing to its sustained engagement with an expansive but clearly defined readership. Since the 1990s, popular women's fiction has been dominated by "chick lit,"a term that has come to signify a particular brand of commercial fiction. In her article "Who's Laughing Now? A Short History of Chick Lit and the Perversion of a Genre,"novelist Cris Mazza credits herself with inventing the taxonomy in her capacity as co-editor of an anthology of new women's writing. The stories in Chick Lit sought "not to embrace an old silly or coquettish image of women but to take responsibility for our part in the damaging,lingering stereotype." Mazza coined the term hoping that critics would recognize its "ironic intention"; as she observes, the ironic inflection of the term evaporated with the inception of the "second incarnation”of Chick Lit. It is this second incarnation that became publishing phenomenon in the 1990s and continues to thrive in the twenty-first century. Arguably, tone is the defining characteristic of the genre. The signature tone of chick lit is humorous, irreverent, and journalistic. Many writers of chick lit novels began their careers as columnists and use their social commentaries as source material for their fictional worlds. Bridget Jones's Diary(1996)evolved from British writer Helen Fielding's newspaper columns for the Independent and later the Daily Telegraph. Candace Bushnell's column "Sex and the City" provided the material for her first novel and the hugely influential HBO television series(1998-2004). From its inception, chick lit secured the readership of the younger demographic through its engagement with contemporary issues and popular culture. Over the past decade, chick lit has sprouted a variety of subgenres.Although commentators on the genre regularly announce its decline, it continues to expand and attract a wider range of women readers. The term"chick lit" is coined by____

Passage 1 Questions 1 to 5 are based on the following passage. Much of the fiction written by American women in the twenty-first century can be termed "popular,"owing to its sustained engagement with an expansive but clearly defined readership. Since the 1990s, popular women's fiction has been dominated by "chick lit,"a term that has come to signify a particular brand of commercial fiction. In her article "Who's Laughing Now? A Short History of Chick Lit and the Perversion of a Genre,"novelist Cris Mazza credits herself with inventing the taxonomy in her capacity as co-editor of an anthology of new women's writing. The stories in Chick Lit sought "not to embrace an old silly or coquettish image of women but to take responsibility for our part in the damaging,lingering stereotype." Mazza coined the term hoping that critics would recognize its "ironic intention"; as she observes, the ironic inflection of the term evaporated with the inception of the "second incarnation”of Chick Lit. It is this second incarnation that became publishing phenomenon in the 1990s and continues to thrive in the twenty-first century. Arguably, tone is the defining characteristic of the genre. The signature tone of chick lit is humorous, irreverent, and journalistic. Many writers of chick lit novels began their careers as columnists and use their social commentaries as source material for their fictional worlds. Bridget Jones's Diary(1996)evolved from British writer Helen Fielding's newspaper columns for the Independent and later the Daily Telegraph. Candace Bushnell's column "Sex and the City" provided the material for her first novel and the hugely influential HBO television series(1998-2004). From its inception, chick lit secured the readership of the younger demographic through its engagement with contemporary issues and popular culture. Over the past decade, chick lit has sprouted a variety of subgenres.Although commentators on the genre regularly announce its decline, it continues to expand and attract a wider range of women readers. The description of women in literature used to be____

Passage 1 Questions 1 to 5 are based on the following passage. Much of the fiction written by American women in the twenty-first century can be termed "popular,"owing to its sustained engagement with an expansive but clearly defined readership. Since the 1990s, popular women's fiction has been dominated by "chick lit,"a term that has come to signify a particular brand of commercial fiction. In her article "Who's Laughing Now? A Short History of Chick Lit and the Perversion of a Genre,"novelist Cris Mazza credits herself with inventing the taxonomy in her capacity as co-editor of an anthology of new women's writing. The stories in Chick Lit sought "not to embrace an old silly or coquettish image of women but to take responsibility for our part in the damaging,lingering stereotype." Mazza coined the term hoping that critics would recognize its "ironic intention"; as she observes, the ironic inflection of the term evaporated with the inception of the "second incarnation”of Chick Lit. It is this second incarnation that became publishing phenomenon in the 1990s and continues to thrive in the twenty-first century. Arguably, tone is the defining characteristic of the genre. The signature tone of chick lit is humorous, irreverent, and journalistic. Many writers of chick lit novels began their careers as columnists and use their social commentaries as source material for their fictional worlds. Bridget Jones's Diary(1996)evolved from British writer Helen Fielding's newspaper columns for the Independent and later the Daily Telegraph. Candace Bushnell's column "Sex and the City" provided the material for her first novel and the hugely influential HBO television series(1998-2004). From its inception, chick lit secured the readership of the younger demographic through its engagement with contemporary issues and popular culture. Over the past decade, chick lit has sprouted a variety of subgenres.Although commentators on the genre regularly announce its decline, it continues to expand and attract a wider range of women readers. The signature tone of chick lit is____

Passage 1 Questions 1 to 5 are based on the following passage. Much of the fiction written by American women in the twenty-first century can be termed "popular,"owing to its sustained engagement with an expansive but clearly defined readership. Since the 1990s, popular women's fiction has been dominated by "chick lit,"a term that has come to signify a particular brand of commercial fiction. In her article "Who's Laughing Now? A Short History of Chick Lit and the Perversion of a Genre,"novelist Cris Mazza credits herself with inventing the taxonomy in her capacity as co-editor of an anthology of new women's writing. The stories in Chick Lit sought "not to embrace an old silly or coquettish image of women but to take responsibility for our part in the damaging,lingering stereotype." Mazza coined the term hoping that critics would recognize its "ironic intention"; as she observes, the ironic inflection of the term evaporated with the inception of the "second incarnation”of Chick Lit. It is this second incarnation that became publishing phenomenon in the 1990s and continues to thrive in the twenty-first century. Arguably, tone is the defining characteristic of the genre. The signature tone of chick lit is humorous, irreverent, and journalistic. Many writers of chick lit novels began their careers as columnists and use their social commentaries as source material for their fictional worlds. Bridget Jones's Diary(1996)evolved from British writer Helen Fielding's newspaper columns for the Independent and later the Daily Telegraph. Candace Bushnell's column "Sex and the City" provided the material for her first novel and the hugely influential HBO television series(1998-2004). From its inception, chick lit secured the readership of the younger demographic through its engagement with contemporary issues and popular culture. Over the past decade, chick lit has sprouted a variety of subgenres.Although commentators on the genre regularly announce its decline, it continues to expand and attract a wider range of women readers. Chick lit is widely enjoyed by____